1998 New Zealand Art - Peter McIntyre

        

        This tribute was the second in the New Zealand Art series and followed on from the inaugural issue in 1997 that paid tribute to the genius and striking originality of Colin McCahon.

        This issue featured four works from throughout Peter McIntyre’s long and illustrious career. Peter McIntyre (1910-1995) was the best known New Zealand artist through the middle decades of the 20th century. 

2006 Kapa Haka - Maori Performing Arts (Withdrawn Issue)

       To tell you the truth, I struggled with the idea of doing a post on this issue. The other writers tell me I am the blog owner but when it comes to decisions like this I usually get out voted. They said this issue is on the NZ Post website, it's on the Stamps NZ website so it should be on ours too. Since I do all the issues with Maori themes, I've got the job.
       The story goes that certain Maori groups were horrified when they saw these stamps and complained to NZ Post. The issue was rejected just before it was issued. All stock already sent out to postal outlets was recovered and returned for destruction so that should have been the end of the story. But it wasn't as some were sent out to 8 customers before the issue date. In spite of attempts to have these returned, some, as listed below never were. 

Generally, I like the great job that has been done over the years regarding our postage stamps. I am proud to see them representing New Zealand as they do. But this set? Guys, what were you thinking? I think I could except most of the designs but those faces! I know the intention might have been not to show any particular person and I suppose it could be argued that in this they succeeded. But they look so ugly, the worse being the woman on the $1.35 value. Ok, I've had my little rave, let's get on and review them now. 

For other posts with Maori themes - New Zealand Maori Index.

2018 Maui and the Fish

Maui and the Fish - Te Ika-a-Maui.

       The first time I can remember hearing this story was on the Sunday Children Request show, on the radio station, 1ZB. This and How the Kiwi Lost His Wings became favourites of mine when they appeared on the show. These days, of course, television has taken over children's entertainment on a Sunday morning. 
        So being born in New Zealand, I grew up with many of these stories but being a Pakaha (White European), I didn't have much contact with Maori mythology once I became an adult. When I began this blog I soon discovered there were many stamp issues with Maori Mythology themes. Since then, the richness and complexity of the Maori culture became a source of fascination and intrigue.  

         New Zealand has issued two other stamps telling the story of Maui and the Fish. These can be found below, at the bottom of this post, or via links from our index page New Zealand Maori.


NZ Post describes this issue:- 
        Māui and the Fish - Te Ika-a-Māui is one of many tales of the mischievous demigod chronicled for centuries across Pacific cultures. Despite the considerable distance between islands such as Hawaii, Tonga and even New Zealand, the similarities between many of the legends are uncanny.
        Many versions of this story exist as it has been passed from generation to generation. We present this story with words by Louis Armstrong, Cultural Education Lead for the iwi of Raukawa in the South Waikato town of Tokoroa.

        Since, I do not understand much te reo Maori, when I came to layout this page I debated as to whether I should include the Maori versions captions of this story under each stamp as they appeared on the NZ Post website. Finally, I decided the value of adding the story in two languages was worth doing. 

1995 Famous New Zealanders

For such a small nation, New Zealand has produced a surprising number of great achievers, famous in a wide spectrum of endeavours and deserving of their prominence and respect in the eyes of fellow New Zealanders and the rest of the world. 

The full set of six stamps.

Redeemable Tear-tabs for Collectable Souvenir Cards
These stamps were issued with small removable tabs next to each stamp. (See the set of stamps above.) Each tab measured 10mm x 30mm. These tabs were perforated like the stamps and carried the promotional message 'Stamp Month October 1995'. These tabs were for a special promotional offer - customers could collect 10 tear-tabs and send them in (affixed to an entry card) to receive a souvenir card in return.

2017 Matariki

    

      When in 2017 NZ Post didn't issue the annual Matariki stamp issue, I was a bit disappointed as I've come to enjoy each Matariki issue for their interesting and colourful stamps. I understand why they did this because two other Maori related issues were released that year. See 2017 He Tohu and 2017 Te Reo Maori - Maori Language. We don't want too much of a good thing, do we? In the absence of a Matariki issue, I have decided to add my own Matariki post looking at Matariki and some of the legends behind it. When I started this I was looking for a great page of stamps but I could only find two stamps that actually showed Matariki / The Pleiades, so I had to settle on a post using just these two stamps. 

2008 150th Anniversary of Kingitanga

150th Anniversary of the Maori King Movement.

For other stamps with Maori themes see our New Zealand Maori.

Faith, Love & Law.

         The Māori King Movement or Kīngitanga is a movement that arose among some Māori tribes in the 1850s to establish a symbolic role similar in status to that of the monarch of the British colonists. The position of a Māori monarch is a non-constitutional role with no legal power but it is a symbolic role of great prestige (mana). Since the 1850s the role has been vested in the Tainui iwi (tribe), centred in the Waikato region, who agreed to guard the position when it was created. The current Māori monarch, Tuheitia Paki, is descended from the first Māori king, Pōtatau Te Wherowhero, and was elected in 2006. His official residence is Turongo House at Turangawaewae Marae in the town of Ngaruawahia.
         Since it was established, the Kīngitanga movement and influence has expanded and now is recognised and respected by Māori in many parts of New Zealand today. Some iwi such the Ngapuhi iwi of Northland are strongly against the Maori king movement and find the use of the name "Maori King" offensive.
        While the Maori King has no direct connection with the New Zealand Government regarding the legal decision-making process, he/she is often consulted and advice taken on matters concerning Maori. It is also usual, but a tradition of respect rather than set in law, that the British monarch and the Maori monarch will meet if they are in the same country.          
         The position of Māori monarch is not hereditary in principle. The monarch is appointed by the leaders of the tribes involved in the Kīngitanga movement on the day of the previous monarch’s funeral and before the burial. However, to date, all Māori monarchs have been direct descendants of Pōtatau Te Wherowhero, the first Māori king, and each monarch has been succeeded by a son or daughter. 
         This position has been held by Pōtatau, Māori King (1856 – 1860); Tāwhiao, Māori King (1860 – 1894); Mahuta, Māori King (1894 – 1912); Te Rata, Māori King (1912 – 1933); Korokī, Māori King (1933 – 1966); Dame Te Atairangikaahu, Māori Queen (1966 – 2006); Tuheitia Paki, Māori King (2006 – ).

1996 Maori Crafts

        The first Māori people brought their art and crafts with them from their ancient homeland in Polynesia when they migrated to New Zealand more than 1000 years ago. In their new, remote home in the South Pacific, away from outside influences and with different materials, they developed these craft over successive generations. Wood carving was the primary art form but it was just one of the Māori's cultural accomplishments. Māori art ranged from carving meeting houses and other buildings, war canoes and weapons - to creating clothing and personal ornaments such as burial chests, musical instruments, treasure boxes, marvellous cloaks and skirts.

        Almost nothing that the Māori made was without decoration of some sort. They used a wide variety of materials, from readily available and workable timber, flax, bone and whale-bone ivory to the less tractable greenstone, argillite and basalt. They practised and experimented with a range of styles from formalisation through impressionism to the near-abstract. Generally speaking, Māori art was and still is, largely a question of shape and design rather than colour. Traditional Māori arts flourish today although new materials, tools and international influences have introduced an added new dimension to traditional design.

For other issues on Maori see our Maori Page & Index.

2017 Te Reo Maori - Maori Language.

       Now, this issue went in a direction I did not expect. Recently I did a post on te reo Maori (Maori Language) 1995 Maori Language. In that post, we looked at six different ways te reo Maori was used, all of which were in more formal or traditional ways. Another post I did earlier this year was on the 2011 Kapa Haka issue. While this stamp issue featured Maori performing arts, te reo Maori is an important part of that. Both issues are well worth a look and along with all my other posts on Maori subjects can be found via our New Zealand Maori index.

       We live in a changing world, English, my mother tongue, is changing to be used in different ways with new words coming into general use all the time. In the same way, if te reo Maori is to remain relevant, it needs to change and evolve to deal with a modern and changing world. 

       Which brings us to this issue. 10 stamps showing te reo Maori being used in ways that would not have been imagined only a few years ago. In this issue, the examples have mainly come from computers and electronic communications. Notice how many of these new words are descriptive in nature. This is consistent with te reo Maori where many traditional words were descriptions of objects or ideas too. I've followed with the captions the NZ Post used as they explain each stamp better than I could but while doing this post I've come to view te reo Maori in a different and more positive way.

1995 Maori Language

Ko te Reo te Mauri o te Mana Maori. 

The language is the life force of being Maori.

For other posts on Maori see our index New Zealand Maori 

Today, 1st August 2017, marks 30 years since Maori has been recognised

as being an official language of New Zealand.

The Maori language came to New Zealand with the Polynesian migrations around 1000 years ago. Since then, it has developed independently of other Polynesian tongues to become the Maori of today. According to a 2001 survey on the health of the Māori language, the number of very fluent adult speakers was about 9% of the Māori population, or approx. 30,000 adults. A national census undertaken in 2006 says that about 4% of the New Zealand population, or 23.7% of the Māori population, could hold a conversation in Māori about everyday things. Today that number has continued to grow with 60,000 speakers in 2009 and 150,000 by 2013.

As Maori is not spoken widely anywhere else in the world, it provides New Zealand with a unique language identity. For that reason, and for the important role it has to play as a positive social force in the Maori community, its survival is seen as vital. This was recognised with The Maori Language Act 1987, which declared it to be an official language of New Zealand. Another important step was taken in making 1995 Maori Language Year - Te Tau O Te Reo Maori, which was celebrated with this stamp issue.

1987 Fibre Arts

 
      This issue features a Maori view of the use of natural fibre is the subject of this four stamp issue, designed by Nga Puna Waihanga (an organisation of Maori artists, writers and designers). The designs featured on these stamps are graphic representations that embrace broad concepts of the working of fibre such as knotting, binding and plaiting.

       To the Maori people, indigenous fibres had qualities embracing all aspects of living as well as providing a medium for art and craft.  Cultivation, harvesting and preparation methods and rituals were carefully adhered to by Maori people and reflected the extent to which they depended on fibre products for trapping, snaring, cooking, storage, building, clothing and other utilitarian purposes. Today, Maori weaving and crafts have taken on the new purpose of an art form and training medium for young people.

All my other posts on Maori subjects can be found via our New Zealand Maori index.

2017 He Tohu

      He Tohu is a remarkable new permanent exhibition in the National Library of New Zealand Te Puna Mātauranga o Aotearoa in Wellington, that opened on 20 May 2017. It sheds new light on three iconic constitutional documents that shape our nation: 1835 He Whakaputanga o te Rangatiratanga o Nu Tireni - Declaration of Independence of the United Tribes of New Zealand, 1840 Te Tiriti o Waitangi - Treaty of Waitangi and the 1893 Women’s Suffrage Petition - Te Petihana Whakamana Pōti Wahine.

    ( It came as a surprise when reading the March Campbell Paterson Newsletter, I discovered that NZ Post listed this issue as their 2017 Matariki Issue on a list of issues for that year. After the many great issues in that series, I'd certainly see these three stamps as a step backwards. Since NZ Post do not mention Matariki in their website notes on this issue, I have not decided if it should be included in my Matariki collection.    Allan )

Matariki - Maori New Year.

See our index New Zealand Maori.  

2011 Kapa Haka

Also see our index New Zealand Maori  

From the graceful movements of the Poi to the overwhelming power of the Haka, Kapa Haka (traditional Maori performing arts) is intrinsic to New Zealand’s cultural identity. Distinctive from other indigenous performing arts, Kapa Haka combines song, dance, expression and movement.

1980 - 1981 Definitives.

Definitives Tour.

Back to 1975 Pictorials                              Forward to 1980 - 1985 Definitives.

Here are two small definitive issues that don't seem to fit with the 1975 Definitives as it been too long since those stamps were issued. Since they don't seem to fit with the 1982 - 1985 Definitives either we have decided to include them on their own post.

For other posts on Maori Subject see our Maori Index.

Maori Leaders Definitives.

The 1980 Definitive issue featured Maori leaders who made a difference. In some cases, their good work continued, even up until today. The strip above shows used examples of these stamps while below mint copies are used.

1998 The Statue of Wairaka

       Back in June, when Kim was working on her post, 1998 - 1999 Scenic Stamps, she came across a stamp featuring the Statue of Wairaka found mounted on a large rock at the mouth of the Whakatane River (harbour). At that time I provided her with a short version of the story of Wairaka but now I wish to explore this story in greater detail along with better photographs of her statue that can be barely seen on the stamp.

$1.50 - Wairaka at Sunset, Whakatane.

(1998 Scenic Issue)

A seldom-seen perspective, by Cam Feast, of the statue of Wairaka which stands on top of one of the rocks at the channel entrance of Whakatane Harbour (river) in the Bay of Plenty.

2011 Matariki - Fish Hooks

Matariki - Hei Matau (Fish Hooks)
        The appearance of the star cluster known as Matariki is a time to celebrate New Zealand's unique history and place in the world. New Zealand Post marked the start of the Māori New Year with it's Matariki 2011 - Hei Matau stamp issue.
        Meaning 'fish hook', matau are traditionally an important aspect of Māori life, providing Māori with the means to catch their kai moana or 'food from the sea'. Many fishermen had their own 'lucky' fish hook, which they would wear around their necks (hei matau) for safe keeping.
        Today hei matau are used less for catching fish and more for catching someone's eye when worn as pendants. They remain a cultural treasure (taonga) and have an important link to the origins of Aotearoa, New Zealand. According to Māori legend, New Zealand's North Island was once a giant fish that was caught by the half-god and seafarer Māui, using a woven line and his magic bone matau.
        Hei matau have a strong connection to Tangaroa, god of the sea, and as such the stamps in this issue feature the commonly stylised element of the sea. Meaning 'the fish hook of Māui', the phrase 'Te matau o Māui-tikitiki-a-Taranga' has also been incorporated into the design.

2010 Matariki - Maori Kites.

Matariki - Manu Tukutuku (Traditional Maori Kites)

       In this post, we feature another of the lesser known crafts of Maori, the making of Maori kites. This issue included only have four values, a miniature sheet and the usual two First Day Covers. Kites were made and flown by both Maori adults and children. As is shown in the stamps below they were made out of many materials and came in a variety of styles or shapes.

See our Matariki Collection.                       See our Index - New Zealand Maori.

50c – Manu Aute

Maori made many of their kites in the shape of birds (manu), reflecting their belief that this was how a person’s soul or spirit was made manifest. ‘Manu aute’ was one of the largest birdlike kites, and the one featured on our 50 cent stamp is the oldest of all surviving specimens.

2012 Matariki - Maori Rock Art.

          Māori rock art is not as well known as Maori wood carving but examples can be found throughout the country. The stamps in this issue depict examples of rock art documented in Te Waipounamu (the South Island) where more than 500 sites have been recorded to date.

           Rock art is applied to a variety of stone types, and while the common perception is that rock art was created using a burnt stick, the majority of the ‘drawings’ in Te Waipounamu appear to have been applied as pigment in solution. The style of Māori rock art is similar to that from wider Polynesia, suggesting that it was a practice brought to New Zealand by its earliest people.

           Māori rock art gives a glimpse of New Zealand’s history and culture, and the drawings included on the six self-adhesive stamps in this issue portray animals now long extinct, representations of everyday life and depictions of the supernatural.

          The rauru (spiral design) on the stamps pays respect to Rangi and Papa, and the light and knowledge that came about from their separation. The colours used in the rauru reflect the land and environment, and the koru represent growth and life and pay respect to the past, present and future.

How the Kiwi Lost his Wings.

       When I was a child in the early 1960s, one of the then Government-owned radio stations, 1ZB had a children's request program every Sunday morning. Children could write in and request a story they wanted to hear. Every so often a Maori story would be included as well. I remember some of these such as Maui fishing up Aotearoa, Hinemoa and How the Kiwi Lost his Wings. I think out of these, this last one was my favourite.

       Now more recently I found a copy of this story so I've used it to help me create this post. I am so pleased I can share this story with you now. I question the role of two of the birds in this version but in the end, they don't affect the outcome much so I've decided to leave them in. They also have given me the chance to feature two extra stamps as well.

       The stamps have been chosen from various sources to add variety to this post. You will notice a couple of NZ Post definitive stamps; a health stamp; one of the popular round kiwi series; two stamps from local post - New Zealand Wine Post and one from the NZ Fish & Game Council. Links provided will take you to our posts on each of these.

For other Maori legends, see our index page - New Zealand Maori.

Kupe and The First Maori Settlers.

        Here is the story of Kupe and the First Maori Settlers of Aotearoa (New Zealand). It is a story of the voyage of the great waka (canoe), Matawhaorua, and the voyage of its successor Ngä-toki-matawhaorua; journeys across vast dangerous oceans to reach this land of Aotearoa. In the words of this story, we will meet the legendary voyager Kupe and others who sailed with him or after him. Mighty taniwha (dragon-like) and great ariki (great men of descent) had roles to play in this story as well. Finally, I hope to show you how closely this story is connected with the modern New Zealand of today.

        This post was something very different for me. While researching for other Maori stories that are featured on stamps, I began to realise that there were a number of stories set around the legendary Kupe. I wondered if it might be possible to put these together into a single post, illustrated with postage stamps, while still being respectful to the oral traditions of the Maori People.

        There are a few variations in the stories of Kupe so I have decided where possible to follow the versions and histories recorded by the Northland iwi (tribes), in particular, Te Rarawa, Te Aupöuri and Ngä Puhi. I have also drawn on information and stamps that can be found in other posts on this blog, but I make no apology in repeating myself here if it adds to the story we are considering.

The illustration above - Kupe and his wife Kuramärotini discovering Aotearoa.  

By Paul Lloyd - Flickr: Kupe Group Statue, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=15332835.

2013 Matariki - The Koru.

         When the star cluster known as Matariki appears in the night sky it signals the Maori New Year and a time of new beginnings. The Matariki 2013 stamp issue celebrates the koru - a pattern symbolising new life and regeneration.

          Matariki is a significant event for Māori and is widely acknowledged to signal a change of seasons. In traditional Māori society, Matariki was believed to foretell whether the year ahead would be plentiful. It was also a time of festivity when communities would come together to reflect on the past and look ahead to new beginnings.

          The message of new beginnings is represented in the koru pattern, which is derived from an unfurling silver fern frond. Each of the six self-adhesive stamps in this issue incorporates the koru pattern along with aspects of traditional Māori culture that have particular significance during the time of Matariki.