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Counterpart, Denoting, Fine Paid, Mortgagee's Indemnity and Not Liable stamps

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New Zealand fiscal and postage stamps were overprinted for various revenue purposes. Some are given below. Counterpart Counterpart stamps were attached to duplicate (i.e. counterpart) documents provided that the full stamp duty had been paid on the original. The counterpart fee was 2s 6d. The first issue was in 1870 and the design was Die I of the 1867 Revenue issue. The stamp on the left is Die II and was issued in 1880. In 1887, stamps were issued in the design of the revenue stamps of 1880, but with the word Counterpart in rather small letters above the value as in the example on the below. In 1916 the fee was increased to 3s 0d and ordinary revenue stamps were overprinted diagonally in black although special printings were made as the colour was always yellow. It exists both perf 14 and perf 14½x14. In 1927, the George V 3s 0d Admiral stamp was printed on Cowan paper, perf 14, in orange yellow and overprin...
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1997 New Zealand Art - Colin McCahon

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       McCahon was born in Timaru but spent most of his life in Auckland, where he worked at the Auckland Art Gallery and taught at the Elam School of Art. He began as a landscape painter, and from this, a visionary style evolved featuring the placement of religious images and words against New Zealand landscape backdrops. His painting career spanned five decades.
       Few other 20th century New Zealand painters have received the international respect and admiration that has been accorded to Colin McCahon (1919-1987). The distinctive power and originality of his images have made him a giant of New Zealand painting.

The four stamps of this issue cover the different periods of his painting career as his style and emphasis changed over time.
See 2000 - Colin McCahon  1919 - 1987.

40c - The Promised Land, 1948.
Oil on canvas, Auckland Art Gallery collection, a gift from the McCahon family 1989 (1989/51/1).

This painting is drawn from the period when McCahon first began to experiment in using painting as a vehicle for explicit messages, with particular emphasis on religious themes.

$1.00 - Six Days in Nelson and Canterbury, 1950.
Oil on canvas on board, Auckland Art Gallery collection, a gift of the Friends of the Auckland Art Gallery 1978 (1978/12).

It was during the 1950's that the 'McCahon style' became firmly established. This was one of a number of paintings from this, and later periods, that deals with revelation and discovery of New Zealand through an imaginary journey into the landscape.

 $1.50 - Northland Panels, 1958 (detail).
Oil-based house paints on unstretched canvas, Museum of New Zealand Te Papa Tongarewa collection (B41188).

McCahon and his wife travelled to the United States in 1958. This exposure to fresh and exciting visual stimuli became immediately evident in the scale and ambition of his work, with the Northland Panels being one example.

$1.80 - Moby Dick is Sighted off Muriwai Beach, 1972.
Acrylic on canvas, Museum of New Zealand Te Papa Tongarewa collection (B385668).

One of McCahon's studios was located at Muriwai. The changing moods of this west Auckland beach, with its dramatic cliffs and gannet sanctuary, inspired much of his work during the 1970's. Here, McCahon imagines Oaia Island, which lies off Muriwai Beach, as Herman Melville's great white whale, Moby Dick.


First Day Cover - 7 May 1997.


Technical information.

Date of issue: 7 May 1997.
Stamp designer: Hamish Thompson, Wellington, New Zealand.
Printer: Southern Colour Print, New Zealand.
Stamp size: 30mm x 44.28mm.
Sheet size: 100 stamps per sheet.
Process: Lithography.
Perforation gauge: 14.
Paper type: 104 gsm red phosphor coated.
Period of sale: These stamps remained on sale until 7 May 1998.


Some of the images in this post were used with permission from the illustrated catalogue of StampsNZ
You can visit their website and Online Catalogue at, http://stampsnz.com/

Information & images for this post came from.


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